final remarks

final remarks

The main character has built a foundation and is starting a new chapter.

So a testimonial too, to say something.

Mostly, this testimonial was written last month, but it was so slow and inked that it dragged on and I forgot to post it yesterday.

Lol, I don’t know how to comment on this rhythm of my own, I don’t know how to comment on it myself, I won’t say anything, I’ll just give my brother two punches in the bang-bang.

First of all, thank you to all of you readers and gents who supported this book and made it fine at the beginning of last month.

Jude remembers the excitement.

When the editor said it was doing well before it hit the shelves, with 2,600 followers but only 1,000 first orders, I thought the book was falling apart.

As a result, I didn’t expect to write, but the grades have been steadily improving, which really surprised me.

Looking back at the episodes I’ve written, I’m not sure what to say.

One hundred percent, barely a passing grade, though I can see myself reading it, and indeed there are many problems with the issue.

It’s also something I wrote without a detailed outline and started writing on a whim.

When I was writing, I thought to start from a son-in-law, from marrying a secular woman to have a baby, and to the spiritual root girl, spiritual body girl, fairy, princess, empress, goddess, etc. to have a baby, and write it up one level at a time.

But once I really started writing, the content plot started to get out of control.

And with different ideas every day, the mind is constantly expanding.

When you write something like this, there’s no way to change it if there’s a problem after you’ve written it, and the back can only fill in the holes for the front.

For example, the biggest pitfall of the book is actually in the plot ideas before and after it hits the shelves.

At chapter fifty-two, I realized something was wrong.

My instincts from years of reading tell me that the writing, which is so bland and uninteresting, has to be crisp.

But knowing that, I didn’t know how to get high and have fun at the time.

So treat the song-length episode as something to look forward to, and put it out early.

Immediately smoked another Peach Blossom Compound, thinking to increase the coolness.

But it still didn’t feel right after writing it, thinking that the protagonist was stuck in Green Bamboo Mountain and had to get out to have something to do and have a good time.

So there’s the Nine Dragons Workshop episode.

But after leaving the Green Bamboo Mountain, after arriving at the Nine Dragons Square City, he felt less family, the warm flavor of the family, and lacked a sense of security.

And coming to the workshop is also the equivalent of opening a new map and having to lay down a bunch of stuff.

As a result, when I wrote it, not only was there no cool points, but it was framed by daily chores, and the content seemed watered down.

Originally, Zhang Shan, the owner of the Spirit Talisman Shop, the two apprentices, the next door neighbor Gao He, etc., all of these characters would have had other aspects of the plot.

But as I write this, because the shelf scores are kind of crashing, I’m actually kind of anxious to think about how to write it up.

The mind then thinks of giving the protagonist things to do, wanting to let the Lu family things push the protagonist around, giving the protagonist a beep, so fading out all these bland plots.

The Jindan girl plot is brought forward because of this, and is used to boost strength, improve the bottom line, and give the protagonist room to perform.

But after writing this episode trying to get ready to do something, I realized I lacked the time to sink in.

There’s no way for things to come out all at once, you have to take it one step at a time.

That’s when I wanted to pave the Lu family, I wanted to make the Lu family problematic inside and out, so that the protagonist could do things and show off his strengths, hence the Lu Miao Yang storyline.

But when this episode came out, it made another wave of fun.

Ideas change all the time, and it all affects the subsequent plot path.

There was no choice but to change the text.

After this wave of rewrites, I too gradually gave up struggling.

Because on that day, I also re-read the book and probably realized what the problem was.

But knowing the problem is knowing, there’s no way to go back and change it or get back on track all at once.

And with this kind of plot ahead, it’s already dissuaded a lot of people, so another big change in style would be the equivalent of screening readers again.

That’s why people keep saying the pace is slow, but the pace is still this way.

I’m sure I’m more anxious than you guys.

After all, it’s a good return on the book, I’ll stop screwing around and consider buying a BYD to drive online.

But I can’t help myself. I can’t really struggle anymore.

I don’t know how to write a cool enough plot.

And pacing this situation is not something that can be solved by raising the Tsukiji alone.

This plot can be difficult to follow because the timeline doesn’t go up and the children of the protagonist don’t grow up.

There’s no place to mount a bleeping display if you rush the foundation, no plot to come out of it, and you’ll fall back into the forced plot-pulling rhythm, which is going to be problematic again.

And there’s a real problem with my no fine outline, no outline at all, think one thing at a time style of writing.

For example, after marrying my wife, Lu Miaogang Sisters, I was ready to settle the current matter, and the protagonist immediately perfected his refining qi and headed to the Immortal City to build his foundation.

But in a hundred and twenty-eight chapters of the hand, wrote a love affair, let me think that the plot, it will have to ten years of contract to write, not good to delay.

As soon as I ended up writing it, all sorts of ideas popped up again, and I got myself all numb writing it.

Otherwise, this plot, in my opinion, could have been written after the protagonist built his foundation, and it would have even worked better.

After all this rambling, the words of the next volume are well known.

It’s when the protagonist acquires spiritual land, establishes his own clan, and starts farming and raising children for development.

Explain why the protagonist wants to start his own clan instead of playing with the idea of Hatchet and Tian replacing Qi.

Before it even hit the shelves, many readers had left comments that they could take over the Lu family by having a baby.

But I never, from the beginning, intended to do so.

First, it feels disreputable.

Maybe the protagonist rose completely to prominence and it was a great story.

But in the first and middle periods, I don’t think it’s a great reputation.

Secondly, on behalf of the Lu family, the original Lu family ancestors must be sacrificed, right?

It’s really not as good as starting your own genealogy, where the whole family is descended from your own bloodline to have a feeling.

And I’ve been thinking about getting a genealogy for the main character, as well as similar bloodline treasures with some functional effects.

But the original Lukes, added or not, look weird.

Thirdly, since we are old fathers, we should have the duty responsibility.

Of course it doesn’t matter if it’s your own child.

There is a spiritual root cultivation can also be added to the protagonist, so the protagonist can die to smash money and resources, and even the system to obtain certain rewards, and use them directly on the child.

But what about the children of the original Lu family?

This being an old ancestor taking care of what ended up being all the descendants of his own bloodline, I don’t think it’s a very good reputation.

If we also spend money to train the Lukes’ children.

Let’s put it this way, before the protagonist gave Li Fei Yu resources, three hundred spirit stones plus talisman puppets, I was afraid to give more.

Just like hiring Gao He to take care of the store and opening a double salary, I’ll change it to more than 50% later on as well.

After all, it’s the protagonist’s money out the window.

That is to say, out of the pockets of all you readers and lords, where I dare to be too generous.

That’s why I think that if the limited resources in the early days were divided up among the Lukes to be fair and equitable, there would definitely be upsetting drama.

Not as simple and straightforward as starting your own clan.

As for the Lu family, when the protagonist family rises and has the ability to help a few, this is also much simpler, and the reputation is also good.

Of course, everyone thinks differently, and that’s about it for me (that said, should I change Lu’s oldest ancestor to the first ancestor)

As for the plot pacing, as I said before, the protagonist’s cultivation speeds up after he builds his foundation.

This is not just my idea, but the setting of the book is destined to be so.

For next, the children must be allowed to make their appearance.

When the children debut and begin to ascend, it’s the protagonist who is ascending.

The more children there are, the more talented they are, the faster this cultivation speed is, and the faster the protagonist improves.

In the future, 840 million children will cultivate for the protagonist, and 840 million True Immortals will be honored in the body, tsk tsk .

But how many words conjugate, I don’t know now.

Because this stuff, frankly, depends on whether there’s something to do, not the number of years of time within the book.

I also don’t have that ability to be able to estimate how many episodes and how many words for fear of estimating the face.

But after writing so many words, I’m also acutely aware of what my problem is.

So this aspect will try to pay more attention to minimize some unnecessary subplots and not to intersperse so many subplots.

But I myself feel ah, foundation building to conjugation without too many things.

It was also the case that getting a spiritual land might be slightly slower, and it needed to be built up to prepare for the establishment of a clan.

Once you have a spiritual land, there is no way to move around when you start farming.

And there’s something to be said for running around anymore.

It is to develop meticulously, to build up food, and to slow down the reign of the king.

In that case, not going out much, you can’t have things coming up every day.

It’s also just some gardening and harvesting, as well as a little plotting as the kids get older and go out and do some work and make copies.

In this case, the plot will naturally be relatively boring, so it’s a matter of upgrading quickly and getting an early dan, so that there are new things to write about the plot.

As for the words after conjugation, there is only a rough outline development line.

But this can change at any time and not much more.

Qi refining, the most difficult period for the protagonist, by their own efforts, counting signing up to the mortal cultivation.

The foundation is built, the family is first created, and it begins to grow steadily, accumulating food widely, building walls high, and claiming the title of king slowly.

JieDan, it’s time for the clan to start making its presence felt and coming into its own.

YuanYing, probably, is, half a lifetime of cultivation no one knows, one day to get the law of the world surprised.

At this time, the Lu Family was full of heavenly pride, and there were a few hints of the Eternal Life Lu Family.

Probably just sauce.

Thank you to all the reader lords so far for their support!

It’s especially touching to see some familiar readers who commented and voted when I was only a few tens of thousands of words in and are still reading, so I’m really thankful for that, bye! Thank you! Thank you!

If you have any ideas suggestions you can just leave a comment, I’ll basically read it and reply as I see fit. (I’d also like to copy some of the comments, please!)